to know more about Washi
Lecture + Demonstration + Workshop (papermaking) by Japanese printmaker Yuriko Miyoshi
RESERVATION / REGISTER? (per workshop until 4 persons)
Dutch page (you can see pictures of recent workshop in 2024, too) --->
WHERE?
In the atelier of Tulip Graphics
Noord IJsselkade 6, 3421 BD Oudewater The Netherlands
WHEN?
Saturday 12 October 2024 / €45.- p.p. (3 hours) full!
13:30-14:30* + 14:30-16:30* Lecture +coffee / tea
----- New!! -----
Saturday 30 November 2024 / €45.- p.p. (3 hours)
Sunday 1 December 2024 / €45.- p.p. (3 hours)
13:30-14:30* + 14:30-16:30* Lecture +coffee / tea
13:30-14:30* + 14:30-16:30* Lecture + coffee / tea
PRICE is including material costs such as Kozo (paper mulberry), Gampi (Diplomorpha sikokiana) and cotton pulp, use of tools for papermaking (wooden frame and screen).
Every participant receives an original Japanese print (etching or woodcut) on Washi.
Every participant receives an original Japanese print (etching or woodcut) on Washi.
RESERVATION / REGISTER? (per workshop until 4 persons)
As your registration, please send your message including your name, age, address and mobile number to Yuriko Miyoshi. Don't forget to mention which day and at what time you want to participate,
You can also ask your possible date and time. We will try to arrange it for you.
After your registration, you will receive an email with the information for this workshop and an invoice with the bank account for the payment. Please note that your place is only guaranteed after payment is completed. We request that you pay the workshop costs as soon as possible after your registration, or your place may be given away. You are allowed to find someone in your place if you organise payment yourself and let the organisation know. Any questions are always welcome. Your data will only be used for communication with you and for invoicing, and will not be shared with third parties without your prior consent.
General conditions Workshops 2018
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I would like to introduce you who might be interested in Japan or Washi the difference between the traditional Japanese manner and western manner of papermaking.
The traditional method of Japanese papermaking, preparing Kozo bark for cooking, cleaning, beating the fiber and papermaking to drying, is different from the European way. During this short workshop we do not have time for processing plant fiber ourselves. In the simple demo, I introduce the real materials and this process.
General conditions Workshops 2018
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Let's make paper from Japanese Kozo ourselves.
And because we want you to know the difference in quality of washi paper, we also offer special gampi raw materials.
I would like to introduce you who might be interested in Japan or Washi the difference between the traditional Japanese manner and western manner of papermaking.
The traditional method of Japanese papermaking, preparing Kozo bark for cooking, cleaning, beating the fiber and papermaking to drying, is different from the European way. During this short workshop we do not have time for processing plant fiber ourselves. In the simple demo, I introduce the real materials and this process.
The materials and tools are also different. With the Japanese tools, you can have an experience to make your own special paper simply.
(1) The traditional way of using Japanese tools with Japanese original raw fiber materials.
(2) Use of Japanese tools and also European tools, for recycling several pulp materials including some Japanese papers and also Hahnemühle etching paper.
(3) I can also show my test printing of etchings and woodcuts on several kinds of Washi. It must be very interesting to be able to feel and see differences with your own hands and eyes, and also to hear differences between papers.
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It is no problem if you didn’t have anything with you, but it may be good to bring the following yourself if possible.
(1) The traditional way of using Japanese tools with Japanese original raw fiber materials.
(2) Use of Japanese tools and also European tools, for recycling several pulp materials including some Japanese papers and also Hahnemühle etching paper.
(3) I can also show my test printing of etchings and woodcuts on several kinds of Washi. It must be very interesting to be able to feel and see differences with your own hands and eyes, and also to hear differences between papers.
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It is no problem if you didn’t have anything with you, but it may be good to bring the following yourself if possible.